“So all I have to do to meet the ideal man is give birth to him” – Miranda
Lainey is a reformed wild child who’s surprised everyone by swapping flashing at Manhattan parties for domesticity in Connecticut. An invite to her baby shower serves as an unwelcome reminder of another lost friendship, and neatly coincides with a pregnancy scare for Carrie.
Samantha delivers the killer line of the episode – “Frankly, I think it’s sad the way she’s using her child to validate her existence” – but it’s swiftly tempered by a throwaway comment from Carrie and a voiceover describing Lainey and Samantha as arch rivals: “both wild, both sexy, both incredibly insecure”. Perhaps if the show had stuck with this conception of Samantha it would have avoided the accusation, endlessly repeated, that she was in fact a gay man in disguise. Viewers can process an insecure slutty woman – a confident one is a bridge too far.
Charlotte, naturally, is enthusiastic about celebrating the impending arrival, and the only one to actually buy a present – a fairly significant detail given Carrie’s later gripe about spending hundreds of dollars on such events with little hope of a return on her investment. But even Charlotte’s bubble is eventually burst when she discovers Lainey has committed an unforgivable act of betrayal: stealing her unique baby name. (Her eventual choices are much more sophisticated, so perhaps this was a blessing in disguise).
There’s a return to the vox pops that characterised early episodes, but this time they have a fantastical feel, with shower attendees confessing all to camera about the messy truth behind their perfect facades.
Carrie’s column: She’s so preoccupied with worries about whether she might be pregnant – and what kind of mother she might make – that she doesn’t actually get around to writing one.
Fashion: The maternity fashions in this episode are distinctly frumpy, without a “yummy mummy” look in sight. At first I assumed this was less a reflection of actual fashions at the time and more a way of providing a visual contrast between the mothers and main characters, but then I remembered the stir that was caused when pop star Melanie Blatt bared her bump on stage in 1998. The idea of pregnant women wearing figure-hugging gowns on the red carpet would have been completely baffling to viewers 15 years ago, and Lainey’s bump is discretely covered even when she’s gatecrashing a party in an attempt to turn back the clock.
Puns: No room for puns in this somewhat serious episode. I checked to see if it was the first written by a woman – it wasn’t, but it’s interesting to note the first seven were all by men.